Post Production & Critical Listening

For applications where only the best sound will do, QSC offers several system options. Post-production facilities and studio dubbing stages require a loudspeaker system that delivers completely uncolored sound, so that they can reproduce the soundtrack that matches the filmmaker’s artistic intent. The same requirements are shared by exhibitors, venue managers, or discriminating home theatre owners wishing to deliver the best “studio quality” sound in smaller screening rooms.

Small

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System Components

1 – Q-SYS Core 110f Processor

1 – Switch

1 – DCIO-H Digital Cinema Input/Output

3 – DCA 1222 Power Amplifier

3 – DCA 3022 Power Amplifier

1 – DCA 1824 Power Amplifier

3 – RSC-112 / RSB-212, RBK-12 Reference Monitors

10 – SR-8200 Surround Loudspeakers
 

Mid-size

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System Components

1 – Q-SYS Core 110f Processor

1 – Switch

1 – DCIO-H Digital Cinema Input/Output

3 – DCA 1222 Power Amplifier

3 – DCA 3022 Power Amplifier

1 – DCA 1824 Power Amplifier

3 – SC-414 Screen Channel Loudspeakers

2 – SB-7218 Subwoofer

20 – SR-8200 Surround Loudspeakers

2 – SB-118F Subwoofers

3 – CX-Q 8-Channel Power Amplifier

1 – CX-Q 4-Channel Power Amplifier
 

Large

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System Components

1 – Q-SYS Core 110f Processor

1 – Switch

5 – DCA 1222 Power Amplifier

5 – SC-424 Screen Channel Loudspeakers

4 – SB-7218 Subwoofer

12 – SR-1590 Surround Loudspeakers

12 – SR-1290 Surround Loudspeakers

4 – SB-118F Subwoofers

8 – CX-Q 8-Channel Power Amplifier